This week in class, we discussed Kawabata's "The Grasshopper and the Bell Cricket". Last week, we discussed a poem about kelp. In both cases, relationships/people are compared to these mundane creatures. This begs the question: how do you know if you're a cricket or kelp? Essentially, a cricket is something truly special; it's the end all be all person that you've been searching for and are lucky to have. Kelp means you allow someone to take what they want from you, leave, and come back as they please. Basically, kelp=doormat. But, how do you know if you're being treated like this? How do you know when you're a kelp when you think that you've been giving yourself freely but you've really been "being gathered" in a way? And what if you spend all your life thinking you're a cricket but you're actually a grasshopper? Or vice versa? And which would be worse? What if you really are a cricket and you end up with a grasshopper that treats you like kelp? I know that these are somewhat silly comparisons, but the sentiment is a true concern. I personally don't want to spend my life looking for a cricket, thinking I've found one, and eventually realizing that they've been a grasshopper that's been stealing my kelp. I suppose the point I'm trying to make is don't be a kelp thief. Yeah, I guess that's what I mean.
Between Oroonoko and The Fair Jilt , I'm entirely puzzled by Aphra Behn as an author. In an entirely Swiftian manner, I simply cannot decipher if her writing is meant to be a commentary on unsatisfactory happenings or if she is actually racist and sexist. If you've read my previous blog on Behn, I further explained this situation in relation to The Fair Jilt and the different lenses it can be viewed through. Where Oroonoko is concerned, she could either be explaining the issue of the noble savage concept or genuinely have a type of savior complex by inserting herself into the narrative and humanizing a brutal story. I would be very interested to read different analyses of her works to see if there is an answer hiding in all of this.
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